Pauline Boudry und Renate Lorenz gehen in Venedig auf Distanz zum nationalen Repräsentationsgedanken der Länderpavillons. ‹Moving Backwards› ist eine kritische Nachlese des konservativen Umbaus der gegenwärtigen Gesellschaft und dessen, wie Kunst in dieser Atmosphäre agieren kann.
Pauline Boudry / Renate Lorenz · Moving Backwards, Schweizer Pavillon, 58. Biennale Venedig, 2019, Courtesy Pro Helvetia. Foto: Annik Wetter
You can read the full text in the current printed issue of the art newsletter or by registering as a subscriber.
Buy individual items
Do you just want to read this article? You can buy it separately here.
CHF3.—
After you have purchased the item, it will be displayed as a PDF in the browser window. You can also have the article sent as a PDF to the email address entered below.
Buy
