Berenice Olmedo
Hic et Nunc
Berenice Olmedo (*1987) often focuses on the most rejected and vulnerable in society—whether stray dogs or physically impaired humans. Extending this concern, in one of her first European solo exhibitions, the Mexican artist conceives a new project that generates form from investigations into various technological enhancements of the body.
Exhibition view, Berenice Olmedo, Hic et Nunc, Kunsthalle Basel, 2022. Photo: Philipp Hänger / Kunsthalle Basel
Kunstbulletin links
Artist(s)
| Details | Name | Portrait |
|---|---|---|
| Berenice Olmedo |
Articles
| Title | Type | Issue | Images | Details |
|---|---|---|---|---|
| Berenice Olmedo — Kapitalismus und Knieschmerz | Besprechung | Kunstbulletin 9/2022 |
|
Institutions
| Title | Country | City | Details |
|---|---|---|---|
| Kunsthalle Basel | Switzerland
|
Basel
|
Switzerland
Basel
|