Nick Mauss
Nick Mauss (German/American, born 1980, New York, NY) is known for an expanded use of drawing that traces unexpected arcs into a multidisciplinary practice. Working in multiple mediums and scales — including reverse-painted mirrored glass, paper, ceramic, fabric, performance, and writing — Mauss practices a form of drawing that simultaneously folds together and expands the intimate space of the page with its spatial and performative implications. His work points to connections and ruptures between contemporary artistic practice and other forms and genealogies — in the performing arts as well as the decorative arts — which he often critically confronts with museum collections or archives in the form of experimental exhibitions that activate counter-histories in which both artist and viewer are re-positioned.
Exhibitions/Events
Details | Title | Type | Date | City | Country | Video |
---|---|---|---|---|---|---|
Exhibition
–
Basel Switzerland |
Eine Ausstellung von Nick Mauss | Exhibition | – | Basel | Switzerland | |
Ausstellung
–
Milano Italy |
Nick Mauss | Ausstellung | – | Milano | Italy | |
Ausstellung
–
New York United States |
Nick Mauss | Ausstellung | – | New York | United States | |
Ausstellung
–
Wiesbaden Germany |
Sandra Kranich, Nick Mauss, Adrian Paci u.a. | Ausstellung | – | Wiesbaden | Germany | |
Ausstellung
–
Bergen Norway |
Nick Mauss | Ausstellung | – | Bergen | Norway | |
Ausstellung
–
New York United States |
Nick Mauss | Ausstellung | – | New York | United States | |
Ausstellung
–
Reims France |
Julien Carreyn, Nick Mauss | Ausstellung | – | Reims | France | |
Ausstellung
–
Karlsruhe Germany |
Enrico David, Nick Mauss, Emily Wardill u.a. | Ausstellung | – | Karlsruhe | Germany | |
Ausstellung New York United States |
Nick Mauss | Ausstellung | New York | United States | ||
Ausstellung
–
Stuttgart Germany |
Nick Mauss, Ken Okiishi | Ausstellung | – | Stuttgart | Germany |
Article(s)
Details | Title | Type | Issue | Image |
---|---|---|---|---|
Nick Mauss — Tumult im letzten Raum | Besprechung | 4/2020 |
|