Das Booklet zur Schau von Pierre Huyghe bilanziert korrekt, ‹Liminal› stelle unsere Wahrnehmung der Realität infrage: In der Punta della Dogana bringen Echtzeit-Simulationen, selbstgenerative Systeme und KI verunsichernde bis verstörende Bildwelten hervor, die es künftig wohl verstärkt einzuordnen gilt.
Pierre Huyghe, ‹Liminal›, 2024 (hinten); ‹Portal›, 2024, Courtesy Galerie Chantal Crousel, Marian Goodman Gallery, Hauser & Wirth, Esther Schipper und Taro Nasu; ‹Idiom›, 2024 (vorne), Courtesy Leeum Museum of Art, Ansicht Pinault Collection, Punta della Dogana, Venedig © ProLitteris. Foto: Ola Rindal
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