Das Booklet zur Schau von Pierre Huyghe bilanziert korrekt, ‹Liminal› stelle unsere Wahrnehmung der Realität infrage: In der Punta della Dogana bringen Echtzeit-Simulationen, selbstgenerative Systeme und KI verunsichernde bis verstörende Bildwelten hervor, die es künftig wohl verstärkt einzuordnen gilt.
![](/sites/default/files/styles/responsive_1000w/public/2024-05/B_Venedig_Pierre-Huyghe_Liminal_1.jpg?itok=Rm-0W8ga)
Pierre Huyghe, ‹Liminal›, 2024 (hinten); ‹Portal›, 2024, Courtesy Galerie Chantal Crousel, Marian Goodman Gallery, Hauser & Wirth, Esther Schipper und Taro Nasu; ‹Idiom›, 2024 (vorne), Courtesy Leeum Museum of Art, Ansicht Pinault Collection, Punta della Dogana, Venedig © ProLitteris. Foto: Ola Rindal
You can read the full text in the current printed issue of the art newsletter or by registering as a subscriber.
Buy individual items
Do you just want to read this article? You can buy it separately here.
CHF2.—
After you have purchased the item, it will be displayed as a PDF in the browser window. You can also have the article sent as a PDF to the email address entered below.
Buy